Sound not found: The disturbance within TikTok
The Arkansas Traveler (2024). From Ariana Grande to Zach Bryan, TikTok has prevented many artists' music from syncing onto the social media platform. Reporter Mark Garcia quotes Andrew Mall’s insights recently published by the Associated Press.
Here’s Why Millions of Your Favourite Tik Tok Videos Have Fallen Silent
The Quicky (podcast, 2024). Mamamia podcast house Claire Murphy speaks with Andrew Mall about the emerging licensing standoff between Universal Music Group and TikTok.
Why Taylor Swift’s album announcement during the Grammys is unusual
Northeastern Global News Magazine (2024). Swift had been dropping hints about new music leading up to the Feb. 4 ceremony, but using an awards show to announce a new project isn’t an industry standard, said one Northeastern music expert.
CBC talks with Andrew Mall about Universal Music vs. TikTok
CBC (television broadcast, 2024). On the night of the Grammys, CBC's Deana Sumanac of CBC Newsroom talks with Andrew Mall about Universal Music vs. TikTok.
Songs by Taylor Swift, Drake and more are starting to disappear from TikTok. Here’s why
Associated Press (2024). TikTok may look (or sound) a little different when you scroll through the app going forward. Earlier this week, Universal Music Group — which represents big-name artists like Taylor Swift, Bad Bunny and Drake — said that it would no longer allow its music on TikTok following the Wednesday expiration of a licensing deal between the two companies. Avid TikTokers are already seeing the effects. Here’s a rundown of where things stand.
Journal of World Popular Music Reviews God Rock, Inc.
Daniel Thornton reviewed God Rock, Inc. for the Journal of World Popular Music.
From Kate Bush to Glass Animals, how TikTok and TV help give music a new life
Northeastern Global News Magazine (2023). Whether it be reviving a decades-old holiday classic or breathing new life into an older release, TikTok, television and movies hold great sway. Where DJs and dance clubs once influenced people’s musical tastes, social media and entertainment are the new tastemakers as they introduce or resurrect music. This leads to songs released years ago hitting charts in a way they didn’t upon release.
How this class is preparing students for the world of music festivals
Northeastern Global News Magazine (2023). Want to try your hand at a designing a music festival or learn about the history of these events? These Northeastern experiential learning courses help create the next generation of festival organizers.
Is Beyoncé’s Renaissance concert film a sign of things to come for movie theaters and the concert experience?
Northeastern Global News (2023). Part concert film and part behind-the-scenes tour documentary, “Renaissance” promises to give fans a glimpse into the famously private superstar’s life during her recent Renaissance tour. It also promises to be a bright spot for movie theaters in the post-Thanksgiving box office doldrums. But could “Renaissance” be something more: a sign of things to come for the movie theater business and the theatrical experience?
Rock That Doesn’t roll, “Bookstore Guys”
Rock That Doesn’t Roll podcast (2023). Who could a 1990s Christian rock aficionado turn to in order to find the latest and greatest releases? For mainstream music fans, tastemakers included record store clerks of 1990s indie music stores, or retail juggernauts like Tower Records and Wherehouse - the kind of superfans depicted by Jack Black in High Fidelity. But for many evangelical teens of the 1990s, record stores were not the place to find kid-tested, parent-approved music. For that, Christian teens usually had to go to Christian bookstores.
Author Meets Critics: Andrew Mall’s God rock, Inc.
AAR (2023) “author meets critics” panel on God Rock, Inc. Panelists will consider how Christian music as a niche business shapes religious communities in the United States (and beyond), as well as how its many genres and subgenres - pop, rock, metal, rap, hip hop, praise and worship, etc. - reflect and shape evangelical Christian politics, practice, and theology.
Religion Journal Reviews God Rock, Inc.
Rosalind I. J. Hackett reviewed God Rock, Inc. for the journal Religion.
Mosh Pit Methods: Team-based Collaborative Fieldwork at a Hardcore Punk Festival
SEM conference presentation (2023). In this paper, we address the complexities of collaborating at these multiple levels: with each other, research assistants, festival organizers and staff, community leaders and members, and festival attendees. In attending to these challenges and opportunities, we open a conversation about the power and potential of team-based, collaborative fieldwork.
Taylor-made: A Swiftie’s guide to the best ‘Eras’ movie experience
The Washington Post (2023). Deciding which movie theater to watch the upcoming “Taylor Swift: The Eras Tour” in might be as difficult as choosing which Swift era you want to represent. The concert film, which will start showing Thursday night, will bring Swifties, concert fans and the general public right into the middle of a Swift concert. And 3,850 theaters across North America are planning to show the film in myriad formats, giving Swifties an array of choices for how they want to experience the concert film.
Taylor Swift’s Eras Tour movie is a lesson for other artists and the music industry
Northeastern Global News (2023). Taylor Swift will soon extend her pop culture dominating reach to the big screen, with the release of a concert film of her record-shattering Eras tour set to hit theaters on Oct. 13. It is Taylor Swift’s world –– we’re all just living in it.
Popular Music since 1945
This course introduces students to the study of popular music in the United States from the end of World War II to the present day. Instead of presenting a survey of popular music during this period, we consider a handful of selected topics, themes, and genres during these years. Sacrificing historical breadth for analytical depth enables us to dive deeply into specific examples, considering in detail a range of factors that influence popular music’s development and transformation: ethnic and gender identities, music industry practices, race relations, social and political movements, and technological innovations. Students gain a broad overview of the field of popular music studies—with particular attention given to recently-published research—and the field’s methodologies and materials.
The Voice at 60: On Whitney Houston’s immortal instrument
Entertainment Weekly (2023). Houston would have been 60 years old today, Aug. 9. Of course, she's no longer with us and while I, and many others, feel her absence everyday, her voice — that magnificent voice — still elicits joy.
Musical Communities of Chicago
This course introduces students to the diverse musical communities of Chicago through texts and media, workshops with local musicians and arts workers, experiential activities, and your own research projects. Our five-week program in Chicago provides a unique opportunity for us to explore a range of musical practices and intersecting issues: arts policy, gentrification, tourism, and urban development, among others. Experiential learning activities are a core of our time together in Chicago as we engage in this city’s musical life. These include attending concerts and festivals together, excursions to historical musical sites within Chicago, interviewing local experts, and soundwalks, among others.
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