
“Beer & Hymns” and Community: Religious Identity and Participatory Sing-alongs
Yale Journal of Music and Religion (2021). As a series of loosely-organized events, “Beer & Hymns” started at the Greenbelt Festival in England in 2006 and migrated to the Wild Goose Festival in North Carolina in 2012. Local Beer & Hymns gatherings meet at bars, breweries, clubs, and pubs across the U.K., the U.S., and around the world. In this article, I analyze the sonic and social fabric of Beer & Hymns as a participatory space that promotes community, contextualized against white U.S. evangelicalism’s contested relationship with the secular.


“Beer & Hymns” and Congregational Song: Participatory Sing-alongs as Community
Christian Congregational Music conference presentation (2019). Beer and Hymns is exactly what it sounds like: we raise our red Solo cups and lift our voices together to sing hymns, spirituals, praise songs, and folk songs together. Song choices include both secular and sacred selections, and the nightly gatherings attract participants from a variety of theological backgrounds, many of whom have an ambivalent or troubled relationship with Protestant Christianity (including mainline and non-denominational evangelicalism). Our voices entwine, and often our arms do, too. And by the end of the night, as our singing reverberates in the night, we emerge unified by our singing, even if only for one night.

I am Still Living With Yr. Ghost: A ’90s Song Sing-Along
90s song sing-along, March 2, 2019


Sound as Religion
AAR conference roundtable panelist (2017). While interdisciplinary interest in the phenomenon of sound has been growing apace, understanding the diverse ways in which sound is implicated in religious practice and spiritual experience remains under-researched in the field of religious studies. This lacuna can be attributed in part to the dominance of textual, visual, and liturgical paradigms in the field, but also the challenges of conducting research on sound (including music), noise, and silence. At this juncture, we feel the need to team up and share resources in order to promote more research and theoretical reflection on the auditory and acoustic dimensions of religion.
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