I PROVIDE MUSIC INDUSTRY EXPERTISE TO MEDIA
I am an in-demand commentator on music industry topics such as concert events and ticketing; local music economies, do-it-yourself (DIY) scenes, and public policy; music festivals and preparing for fun, safety, and failures; streaming and the impact of algorithms, Spotify, and TikTok; vinyl records, collecting, and merchandising; and many other topics.
I have been interviewed by reporters and producers for magazines, newspapers, podcasts, radio, and television whose outlets include Agence France-Presse, the Associated Press, CBS Morning News, CNBC, Newsweek, PBS NewsHour, Time, The Washington Post, and many others.
If you are working on a story about the music industry and need an expert perspective, get in touch with me. I can help explain today’s complex issues for your audience’s benefit.
Recent Media Features and Interviews
NGN (2026). With a sound as bizarre as their appearance, Canadian math rock band Angine de Poitrine has broken out of their subgenre and found an audience hungry for something “deeply human,” a music expert said.
NGN (2026). Angine de Poitrine, a Canadian rock duo, is taking the internet by storm. Their funky beats, intricate costumes and pure talent — paired with their unknown identities — make them an act that AI can't replicate, Northeastern music professor Andrew Mall says.
The Finest (podcast, 2026). Lou Curtiss dedicated his life to preserving forgotten music — and now his extraordinary personal collection is being shared with the community he nurtured for decades. At Folk Arts Rare Records, thousands of vinyl records, CDs, tapes and rare recordings are being unboxed, cataloged and placed on shelves for music lovers to explore and purchase. In this episode, we meet Brendan Boyle, who began shopping at Folk Arts as a teenager and now owns and runs the store. Along the way, we explore how vinyl survived the '90s and 2000s and why physical media still matters in an age of streaming and digital fatigue.
NGN (2026). Northeastern University professor Andrew Mall said much of the Sphere’s success has to do with the novelty factor.
Slashgear (2026). There are several creations from the '80s that people would love to see make a comeback today, modernized in varying degrees. Not simply because they're remembered so fondly, but because it would actually serve a need and be a sensible idea to do so. Modern technology has transformed society in so many ways, and there's really no comparison between the two eras.
KPBS (2026). Andrew Mall, a professor of music at Northeastern University in Boston, studies media, music consumption and collecting. He said record stores — and the people who work in them — are crucial to local music scenes. In many cities, including San Diego, record stores function as gathering places where people share influences and resources.
Forum Daily News (2025). Forum Daily News is a weekly news program produced by The News Forum (TNF). TNF is a Canadian broadcaster with a mandate to provide viewers with politically balanced domestic and international perspectives, intended to be a counterbalance to the prevailing media landscape. In this interview, I discuss dynamic-pricing mechanisms, how demand-based pricing works in the concert/ticketing sector, how artists/management negotiate with platforms like Ticketmaster, and what the consumer-impact tends to be.
NGN (2025). Allegations of sexual misconduct have hit the Christian music community. At least five men accused internationally known Christian musician Michael Tait of sexual assault, in what Andrew Mall, associate music professor at Northeastern University, called “the highest-profile case” he’s seen in this section of the music industry.
NGN (2025). After Taylor Swift announced her latest album, “The Life of a Showgirl,” fans began pre-ordering limited-release vinyls, CDs and even cassette tapes. While it may have been a while since the average person has bought a cassette tape, Andrew Mall, associate music professor at Northeastern University, says cassettes have percolated on the music scene and have become popular again over the last 10 to 15 years.
NGN (2025). Experts explain what makes the subject of “It’s Never Over, Jeff Buckley” one of the most legendary artists of his generation, despite only releasing one studio album before his premature death. Despite only releasing one studio album, “Grace,” prior to tragically drowning at the age of 30 in 1997, Buckley remains one of the most legendary — and subtly influential — artists of his generation.
NGN (2025). “Buckingham Nicks” was released in 1973 to minimal fanfare; the couple’s label, Polydor Records, dropped it within months of their release. The following year, the couple joined Fleetwood Mac, making them the notable figures they are today. But while you can easily find copies of or stream all of the duo’s other work — both in Fleetwood Mac and as solo artists — “Buckingham Nicks” was never reissued. Why reissue “Buckingham Nicks” now, after decades that were filled with breakups, makeups, reunion tours, and lawsuits for the pair? Andrew Mall, an associate professor of music at Northeastern University, thinks it could be a sign that things are thawing between the two exes.
NGN (2025). Andrew Mall, associate professor of music, has a collection of 1,500 records. He gives his top tips for those venturing into the world of buying vinyl records.
The Rumors Are True (podcast, 2025). Host Jeremy Alan Gould interviews Dana Bollen and Andrew Mall about making their new podcast, Live Free or DIY.
Fortune (2025). Billy McFarland’s Fyre Festival chapter has come to a close. The disgraced owner of the brand behind the disaster luxury music festival sold its intellectual property for $245,300 on eBay. The sum falls far short of some of the ticket options McFarland previously promised for a planned Fyre Festival event, including a $1.1 million package. The final bid falls further still than the $26 million in restitution following McFarland’s wire-fraud conviction.
NGN (2025). “If you have 10,000 people at a concert and 8,000 of them are holding a phone, there’s something deeply disconnected,” said Tobias Forge, the frontman of Swedish rock group Ghost. Forge was explaining why the band’s world tour is mandating a no-phones policy. A music expert, philosopher and psychologist explain what is going on when artists restrict what their fans can do at their performances.